AA764 (Vibro Champ-style) Blackface Vibro Champ‑style · 1964–1967 · 5 W

draft
Schematic — redrawn in KiCad · scroll to zoom, drag to pan
Board layout — redrawn reference diagram · source noted on the drawing Print sheet ↗
AA764 (Vibro Champ-style) eyelet board layout — an original diagram redrawn from the published layout drawing, showing the principal parts in the order that drawing places them on the board, drawn in the period layout-sheet style with each value lettered on the part.

Scroll the drawing sideways to read the whole board — the source line and the colour legend run along the bottom of the sheet — or open the full-size diagram in its own tab. Values are lettered on the parts in the period shorthand — .02-400, 250-5, 1MEG: how to read it.

Machine-checked wiring. Every modelled part the operating-point netlist places on this board has been verified in CI, terminal for terminal, to be electrically equivalent to the circuit's simulated netlist. This diagram documents connectivity and part arrangement — it is not a dimensioned 1:1 build template.

Details

The modelled parts are the tube sockets, the plate, cathode and grid-leak resistors, the power-rail droppers, and the coupling and bypass capacitors whose two leads are both named DC nodes; the check proves the same net structure, with no missing or extra connections. Parts outside that DC model — the volume / tone / mixer control-network internals, the negative-bias front end, and the heater chain, pilot lamp and power-transformer / rectifier AC side — are drawn from the cited sources but are not machine-checked; the CI report enumerates every one of their terminals so the boundary is explicit rather than silent.

Board and part positions are drawn at diagram scale, and lead dress, grounding paths, and physical spacing all matter in a high-voltage chassis. If you build from it, verify every connection against the schematic above and the operating-point table below as you go.

Operating point vs. published chart

Chart values read from the published drawing — or, where the drawing carries no voltage chart, from the cited published measurements (never reproduced). The simulated column is this circuit's own netlist solved in ngspice by the run that gates it; every deviation beside it is those two numbers compared, not a separately stated figure. Tolerances are this project's verification targets: tube-pin nodes carry the tolerance the cited source states, or ±20% — the era's printed convention — where it states none, and power rails are held to tighter internal targets.

Node Chart Simulated Deviation Tolerance Note
BP2 340 V 349.1 V 2.7% ±8% 6V6 screen node, after the 1 kΩ · 1 W dropper (R14)
BP3 320 V 326.9 V 2.2% ±8% preamp plate rail, after the 10 kΩ · 1 W dropper (R15) — also feeds the excluded oscillator's 470 kΩ plate load, off-model
P1A 205 V 215.0 V 4.9% ±20% 12AX7 first-stage plate, chart pin 1
K1A 1.6 V 1.7 V 4.9% ±20% 12AX7 first-stage cathode over 1.5 kΩ, chart pin 3
P1B 200 V 216.6 V 8.3% ±20% 12AX7 second-stage plate, chart pin 6
K1B 1.5 V 1.7 V 13.7% ±20% 12AX7 second-stage cathode, chart pin 8 — 1.5 kΩ down to the 47 Ω/2.7 kΩ feedback divider
K2 22.2 V 6V6GT cathode over 470 Ω · 1 W — the drawing prints no figure at this pin, only +2 V at the grid (pin 6). Simulated for reference, not gated

Tube-pin nodes are checked at the tolerance the cited source states, or at the era's ±20% convention where it states none; power-rail nodes are held to tighter internal verification targets. Simulated figures are the netlist's DC solution, not measurements from a chassis.

The output stage behind these numbers can be drawn: the load line explorer plots this circuit's 6V6GT at the DC operating point its netlist carries — 355 V on the plates with a 470 Ω cathode resistor — and marks where the load line crosses. This circuit is published as a draft, so that operating point is not verified against a published chart: the table and notes above say what each figure rests on.

Parts list

Every designator in this list appears on the schematic above, and every designator on the schematic appears here — the two are checked against each other in both directions, a valve's two halves counting as one bottle (V1A and V1B are both V1). One part the drawing carries as an annotation rather than a numbered symbol is listed here without a designator, and stands outside that check. The audio path (R1-R15, VR1-VR3, C1-C11, V1-V3, T1-T2) duplicates the plain Champ's AA764 drawing part-for-part — same values, same roles — because the Vibro Champ drawing is the plain Champ's circuit plus a tremolo oscillator ahead of the same output stage; only the printed rail voltages differ (see Sources). One channel across two input jacks (high/low), each with its own 68 kΩ stopper sharing the 1 MΩ leak. V1B's 1.5 kΩ cathode resistor does not go straight to ground: it lands on a 47 Ω leg that carries the 2.7 kΩ negative-feedback return from the speaker jack, and its 25 µF can bypasses only the 1.5 kΩ. Both transformer part numbers are printed on the drawing (TR1 125P1B, TR2 125A35A) — the same parts the Champ's sheet prints, though this sheet's own HT winding reads 315-0-315 V against the Champ's printed 320-0-320 V for the identical 125P1B — the Champ entry's parts list records the same transformer printing different figures across drawings. This list numbers them T1 and T2, the archive's convention where a drawing prints no designators of its own. — The tremolo oscillator (V4, both sections) is a dedicated bottle, not shared with an audio-path stage (contrast the 6G3, whose oscillator is the second half of its driver tube). Its parts are listed in full below, but its DC operating point is excluded from the simulated deck (see the circuit story): it is a running phase-shift oscillator with no static quiescent point. C16's exact value (the phase-shift feedback network's coupling capacitor, plate to Speed control) could not be read with full confidence at the available scan resolution; C15 is recorded with the value legible on both the schematic and layout sheets, and the network is described qualitatively in the circuit story rather than over-specified.

RefPartValue / ratingRole
R1 Carbon comp resistor 68 kΩ · ½ W Input grid stopper, jack 1 (high)
R2 Carbon comp resistor 68 kΩ · ½ W Input grid stopper, jack 2 (low)
R3 Carbon comp resistor 1 MΩ · ½ W Input grid leak
R4 Carbon comp resistor 100 kΩ · ½ W V1A plate load
R5 Carbon comp resistor 1.5 kΩ · ½ W V1A cathode bias
R6 Carbon comp resistor 100 kΩ · ½ W Tone stack — slope resistor
R7 Carbon comp resistor 15 kΩ · ½ W Tone stack — bass leg to ground
R8 Carbon comp resistor 100 kΩ · ½ W V1B plate load
R9 Carbon comp resistor 1.5 kΩ · ½ W V1B cathode bias
R10 Carbon comp resistor 47 Ω · ½ W V1B cathode return / feedback divider leg
R11 Carbon comp resistor 2.7 kΩ · ½ W Negative feedback, speaker → V1B cathode divider
R12 Carbon comp resistor 220 kΩ · ½ W 6V6 grid leak
R13 Wirewound resistor 470 Ω · 1 W 6V6 cathode bias
R14 Power resistor 1 kΩ · 1 W Rail dropper B+1→B+2
R15 Power resistor 10 kΩ · 1 W Rail dropper B+2→B+3
VR1 Audio-taper potentiometer 1 MΩ Volume (catalog 1MA-2-35 / 0143)
VR2 Audio-taper potentiometer 250 kΩ Treble (catalog 250K-A-2-35 / 0266)
VR3 Audio-taper potentiometer 250 kΩ Bass (catalog 250K-A / 0012)
C1 Electrolytic capacitor 25 µF · 25 V V1A cathode bypass
C2 Mica capacitor 250 pF Tone stack — treble cap
C3 Film capacitor 0.1 µF · 400 V Tone stack — bass cap
C4 Film capacitor 0.047 µF · 400 V Tone stack — bass leg cap
C5 Electrolytic capacitor 25 µF · 25 V V1B cathode bypass (across R9 only)
C6 Coupling capacitor 0.02 µF · 400 V V1B → 6V6 grid
C7 Electrolytic capacitor 25 µF · 25 V 6V6 cathode bypass
C8 Electrolytic capacitor 20 µF · 450 V Filter, B+1 (reservoir)
C9 Electrolytic capacitor 20 µF · 450 V Filter, B+2 (screen)
C10 Electrolytic capacitor 20 µF · 450 V Filter, B+3 (preamp)
C11 Film capacitor 0.047 µF · 600 V Across the AC line (period part; omitted in modern builds)
V1 Preamp tube 12AX7 Both audio-path gain stages (V1A/V1B)
V2 Power tube 6V6GT Single-ended output
V3 Rectifier tube 5Y3GT Full-wave rectifier
T1 Power transformer Fender 125P1B · 315-0-315 V · 6.3 V · 5 V HT + heaters + rectifier filament
T2 Output transformer Fender 125A35A Single-ended output (impedance ratio not marked on the drawing)
Fuse 1 A slo-blo Mains fuse
J1 Open-circuit phone jack Vibrato Pedal jack — normalling switch mutes/enables the oscillator when nothing is plugged in
R20 Carbon comp resistor 1 MΩ · ½ W Vibrato-jack bleeder to ground
R21 Carbon comp resistor 1 MΩ · ½ W V4A grid leak
R22 Carbon comp resistor 470 kΩ · ½ W V4A plate load, off the B+3 rail
R23 Carbon comp resistor 4.7 kΩ · ½ W V4A cathode bias
R24 Rheostat / potentiometer 3 MΩ, reverse-audio taper Speed control (catalog 3.0M-RA / 0015)
R25 Carbon comp resistor 100 kΩ · ½ W Speed control's fixed leg to ground
R26 Carbon comp resistor 68 kΩ · ½ W V4B cathode bias
R27 Rheostat / potentiometer 25 kΩ, reverse-audio taper Intensity control (catalog 25K-RA / 37947), fed from V4B's cathode
C15 Film capacitor 0.01 µF Vibrato-jack line coupling cap
C16 Film capacitor value not legible on the available scan Phase-shift coupling cap between V4A's grid network and the Speed control — present on the drawing, not individually confirmed here
V4 Oscillator/driver tube 12AX7 Tremolo oscillator (V4A, RC phase-shift) and buffer (V4B, cathode-follower into Intensity) — EXCLUDED from the simulated deck, no static DC operating point

Circuit story

Fender's smallest amp gains a trem foot. The Vibro Champ is the AA764 drawing family's tremolo-equipped sibling: the same five-watt, single-12AX7-preamp, single-ended-6V6 recipe as the plain Champ, plus a second, dedicated 12AX7 running a bias-vary tremolo oscillator ahead of the same output stage. Fender's own drawing prints "VIBRO-CHAMP AA764" — the identical designation the non-tremolo Champ sheet carries — so this circuit is filed under the qualified id aa764-vibro, leaving the plain Champ's aa764 to the drawing that carries no tremolo. Two print runs of the drawing exist (an earlier "Fender Electric Instrument Company" letterhead and a later CBS-era "A Division of Columbia Broadcasting System" one); both carry the AA764 designation and the same component values, and the earlier printing is the one cited here.

Signal path

Identical to the Champ, component-for-component. Two input jacks (high and low) each sit behind a 68 kΩ grid stopper and share a 1 MΩ leak to ground. From there:

V1A — 12AX7, 100 kΩ plate load, 1.5 kΩ cathode with a 25 µF bypass. Its plate feeds the tone stack directly; both stack legs start with a capacitor, so no DC reaches the controls.

Tone stack — the blackface treble-bass network. A 250 pF cap carries the top end onto the 250 kΩ Treble control; a 100 kΩ slope resistor feeds a 0.1 µF cap into the junction below the treble pot and a 0.047 µF cap into the 250 kΩ Bass control's lower leg, which returns to ground through 15 kΩ. The treble wiper hands the recovered signal to a 1 MΩ Volume control.

V1B — 12AX7, 100 kΩ plate load. Its cathode resistor is 1.5 kΩ with a 25 µF bypass, but it does not land on ground: it sits on a 47 Ω leg, and the 2.7 kΩ negative-feedback resistor from the speaker jack lands on that same junction.

Output — a 0.02 µF coupling cap into the 6V6GT grid, held down by a 220 kΩ leak. The 6V6 is cathode-biased on 470 Ω · 1 W with a 25 µF bypass, its screen wired straight to the second filter node with no stopper, and its plate working into the 125A35A single-ended output transformer — the same transformer aa764 uses.

Tremolo

A dedicated second 12AX7 bottle (both sections) — unlike the shared- tube trem in 6G3, where the oscillator is the second half of the driver tube, this is its own socket, the same arrangement the Deluxe Reverb uses for its trem oscillator.

First section — an RC phase-shift oscillator. The Vibrato Pedal jack carries a normalling switch (open when the pedal is plugged in, letting the external footswitch mute the effect; shorted otherwise, so the trem runs whenever nothing is plugged in) ahead of a 1 MΩ bleeder and a 1 MΩ grid leak. Plate load is 470 kΩ off the B+3 preamp rail, printing +170 V; cathode is 4.7 kΩ with a 25 µF bypass, printing +1.6 V. The frequency-setting network runs through a 3 MΩ reverse-audio Speed control with a 100 kΩ fixed leg to ground — the same 3 MΩ Speed value the Deluxe Reverb uses for its own (opto-coupled) oscillator, though the two circuits inject the signal differently.

Second section — wired as a cathode follower: its plate ties straight to the B+2 rail (+340 V, no plate load resistor), and its 68 kΩ cathode prints +175 V, feeding a 25 kΩ reverse-audio Intensity control that sets how hard the oscillator's signal is injected into the amp.

This is a bias-vary tremolo — it works by varying a DC operating point in sympathy with the oscillator, the family AB763's opto-coupled Deluxe Reverb trem does not belong to — consistent with the single-ended Champ/Princeton line's small-amp trem circuits generally. Unlike 6G3's fixed-bias output stage, this 6V6 is cathode-biased, so there is no separate negative-bias line for the oscillator to modulate; the Intensity control's output lands in the same corner of the sheet as the negative-feedback network ahead of the output stage. The exact phase-shift coupling capacitor between the first section's grid network and the Speed control is present on the drawing but was not individually confirmed at the available scan resolution (C16 in the parts list); every other oscillator value above was read directly off the sheet.

Power

315-0-315 V from the 125P1B power transformer — the same part number the Champ's 320-0-320 V winding prints; the two AA764-family drawings simply print their own figures for the identical transformer, a habit of the era's Fender sheets that the Princeton family's drawings repeat — → 5Y3GT full-wave rectifier → three 20 µF · 450 V filter cans. The chain reads +355 V at the reservoir (which also feeds the output transformer primary), +340 V after a 1 kΩ · 1 W dropper at the 6V6 screen, and +320 V after a 10 kΩ · 1 W dropper at both 12AX7 plate loads — the same dropper values the Champ uses, each rail printing a few volts lower here, plausibly the tremolo oscillator's added current draw. A 1 A slow-blow fuse and an AC switch sit ahead of the primary.

Excluded from the DC model: the tremolo oscillator

The tremolo oscillator (V4, both sections) is a running phase-shift oscillator — it has no static quiescent point, the same category of exclusion as the Deluxe Reverb's V5. Its printed chart pins (+170 V / +1.6 V first section, +340 V / +175 V second section) are read directly off the sheet and recorded on this page, but are not modelled or gated: the simulated deck omits V4 entirely.

Its first section's plate load taps the same BP3 preamp rail that feeds V1A and V1B (through its own 470 kΩ, off-model). Leaving the oscillator out therefore means BP3 carries a little less current in this model than the real circuit did, and the two audio-path plates it feeds read a bit above the printed chart as a result — the same effect the Deluxe Reverb entry documents for its own shared rail. Here, though, the deviation stays well inside the chart's own ±20 % convention (see below), so P1A/K1A/P1B/K1B are gated normally rather than set aside as informational.

Reading against the printed chart

The drawing prints a full voltage chart, every value set at ±20 %, read to ground with an electronic voltmeter. Driving the reservoir at its printed +355 V and solving everything below it:

Node Chart Simulated Deviation
Screen rail (BP2) +340 V +349.1 V 2.7 %
Preamp rail (BP3) +320 V +326.9 V 2.2 %
V1A plate / cathode +205 V / +1.6 V +215.0 V / +1.7 V 4.9 %
V1B plate / cathode +200 V / +1.5 V +216.6 V / +1.7 V 8.3 % / 13.7 %
6V6 cathode (K2) not printed +22.2 V informational

Every gated node lands comfortably inside the drawing's own ±20 % convention — the worst is V1B's cathode at 13.7 %, still well short of the tremolo- excluded shared-rail effect crossing that line the way it does on the Deluxe Reverb. The 6V6 cathode has no printed figure to compare against; the drawing prints only +2 V at its grid (pin 6), a small positive reading typical of a cathode-biased stage's grid-leak return rather than a value worth gating.

One value on the chart is deliberately not simulated. The drawing prints +355 V at the reservoir and +342 V at the 6V6 plate; the gap between them is the output transformer primary's winding resistance, which the drawing does not publish — the same convention the Champ entry documents for the same 125A35A part.

The tremolo block, as drawn

The schematic and the board layout on this page resolve the connections the parts list's per-part roles leave implicit. V4A's plate feeds back to its own grid through C16 and the Speed control — a single-RC phase-shift loop, the pot's resistance setting the frequency. V4B is direct-coupled from V4A's plate (no capacitor — the drawing shows none) and wired as a cathode follower whose plate ties straight to the B+2 rail with no plate load resistor; its cathode, through the Intensity control, injects the oscillator's signal directly at K2, the 6V6 cathode/bias node — the bias-vary mechanism. The Vibrato Pedal jack's internal normalling contact is not drawn as a mechanical spring switch; its effective point-to-point connection (tip into the bleeder/coupler line, sleeve to ground) is drawn instead. The oscillator's own RC network mounts off the board — at the Speed and Intensity pot lugs and the jack — the same convention the Deluxe Reverb entry documents for its own dedicated trem-oscillator network; only V4's heater pins are wired on the board, extending the single-ended daisy chain. The board otherwise reuses the Champ's arrangement verbatim, since the two circuits' audio paths are component-for-component identical (see above). The drawn wiring is proved electrically equivalent to the simulated circuit, with V4 excluded from that check just as it is excluded from the deck.

Sources